A metaphysical kammerspiel about political fight, betrayal, madness, focusing on a exiled communist couple during a train journey in the early months of WWII.

Martha, Yasmin, Jamie and Sam live in a shared apartment in Kreuzberg. Martha is from France, Yasmin from Germany, Jamie from the U.S. and Sam from Cameroon. They sit in their kitchen, cook for each other and dance together. But, compared to his flatmates, Sam left his country, because he needed to take refuge. The camera subtly catches the inequity that evolves between the four characters. Club Europe is a film about millennials who want to act more supportive and altruistic than their parents and need to face the question how far they really want to go in order to help.

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The Italian producer Enrico Ghezzi commissioned the movie to Jean-Marie Straub and Danièle Huillet to celebrate Roberto Rossellini's centenary. Asked to imagine a moment in the life or the death of Ingrid Bergman's character in Europa '51, their reading of Rossellini yielded this political pamphlet about the death of two Parisian youngsters who, chased by the police, hid in a high-voltage electric transformer and burned to death. Less than three weeks after their death, the banlieus were burning.

The Italian producer Enrico Ghezzi commissioned the movie to Jean-Marie Straub and Danièle Huillet to celebrate Roberto Rossellini's centenary. Asked to imagine a moment in the life or the death of Ingrid Bergman's character in Europa '51, their reading of Rossellini yielded this political pamphlet about the death of two Parisian youngsters who, chased by the police, hid in a high-voltage electric transformer and burned to death. Less than three weeks after their death, the banlieus were burning.

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

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Since Xi Jinping’s 2014 visit, Duisburg became a key hub in China’s New Silk Road—symbol of growing ties between China and Europe. Massive investments promised economic growth, but COVID lockdowns and the Ukraine war disrupted the plan. This documentary explores how cities like Duisburg, Liège, and Genoa are caught between opportunity and dependency. Is China’s promise turning into a geopolitical trap?